# #154 Pearls Before Swine

> As of Nov 5, 2026, #154 Pearls Before Swine has no recorded sale.

- Page: https://www.gondi.xyz/collections/makersplace-2963/11923
- Collection: [MakersPlace](https://www.gondi.xyz/collections/makersplace-2963.md)
- Token ID: [11923](https://etherscan.io/nft/0x2963ba471e265e5f51cafafca78310fe87f8e6d1/11923)
- Contract: [0x2963ba471e265e5f51cafafca78310fe87f8e6d1](https://etherscan.io/address/0x2963ba471e265e5f51cafafca78310fe87f8e6d1) (ERC-721)
- Owner: [0x2fc8e12627ac9461545949de1df25c334c187b2c](https://www.gondi.xyz/0x2fc8e12627ac9461545949de1df25c334c187b2c)
- Image: https://i2c.seadn.io/ethereum/0x2963ba471e265e5f51cafafca78310fe87f8e6d1/989cefc13c99d98cb6f37e94677b3d/04989cefc13c99d98cb6f37e94677b3d.png?w=1000

## Description

Phantasmagoric Splendor & Post-Psychedelic Reductions in Experiential Art SERIES

Digital Montage: On Collage and the Legacy of Modernism The Fabrikator here operates a supercompositing amalgamatory montage from a voluminous archive of print and digital visuals that document our consumerist culture defining his distinct aesthetic language, channelling vernacular knowledge, giving a new breath in collecting and recalibrating existing material through the use of re-contextualisation

The purpose and context, interpretation and information is fluid, participatory and interactive rather than definite and site-specific, de-contextualised or repurposed; the source of information is therefore irrelevant, intentional ambiguity on reality versus virtuality, but this interchange is qualitative: “instability” is regarded as a positive value: dynamic transmission, unobstructed circulation, and communication that is not bound to real space; it stands for virtuality as the ability to experience what is possible.” - fusing realities, re-assembling existing particles, a way of prototyping a speculative world”.

Data from GONDI (https://www.gondi.xyz), Nov 5, 2026.